Showing posts with label embroidery. Show all posts
Showing posts with label embroidery. Show all posts

Friday, February 28, 2014

She Made/She Made - February 2014

For the past year or so, Therese Frank and Christine Altmiller have participated in a monthly She Made/She Made, using beads they exchanged when they met.  It's been fun to watch and to read about what each of them made with the same beads.

A few months ago, Therese found these awesome clay faces at the Kentuck Festival of the Arts.


They were made by Susan Clayton and are just amazing to see.

Therese bought a few extra and asked six of us to join them for this month's She Made/She Made.  I am honored to be in that group.

When I received the face, I couldn't stop looking at it.  There is so much character in that little face.

I immediately envisioned a wise woman or elder and wanted to create something that did justice to Susan's beautiful work.

It was the perfect time to try working with shibori ribbon.  I love the texture created by the folds of the ribbon.  With a bit of practice, I was able to shape the ribbon around the face.


A bit of embroidery and I was done.


Of course, after I cut the oval shape out, I noticed the face was a bit off center.  I guess she's looking at something.  :)

I wanted to keep the rest of the necklace simple, so I layered strands of chain and ribbon.


Therese and Christine, thank you so much for letting me play along with you this month.  I really enjoyed working with the face.

Please take some time to see what the other ladies did with their faces.  You won't be disappointed.

Therese Frank - our hostess
Christine Altmiller - our hostess
Tanya - you are here
Cynthia
Alicia


Monday, June 17, 2013

Embroidery with Sherry Serafini

On Monday night, I met a beading idol, Sherry Serafini.  I have been in awe of Sherry's work for some time and it was her work and her book, Sensational Bead Embroirdery, that made me try bead embroidery for the first time.

If you haven't seen Sherry's work, take a look at her gallery.  You'll be in beaded heaven.

Sherry teamed up with Marcia DeCoster this year for the Bead Dreams competition.  Marcia created gorgeous components for Sherry to play with.  The result is a gorgeous necklace.

So, I was really looking forward to Shery's "Rebel Cuff" class.

Three stones bezeled in peyote stitch make up the focal of the cuff.  Several ladies in the class had never done peyote and Sherry was right there walking them through the stitch and the step up, which is confusing the first few times you try peyote in the round.  I think, by the end of class, everyone was comfortable with the stitch.

I was pleased to have *almost* completed the focal during class.


The bracelet strap is made by whip stitching a piece of leather to a piece of suede.


(The focal looks a bit off center because I allowed a bit of space for the overlap on the snap.  It now occurs to me that I didn't have to do that.  At least you can't tell when I'm wearing it.)

I always think that an embroidered piece needs to be completely covered in beads.  This bracelet made me rethink that assumption.

I love how the focal takes center stage and the leather itself is gorgeous and feels awesome against my skin.

I also love the feel of the chain dangles.


I'm in love with the bracelet and so happy I took Sherry's class.

I'm ready to try more embroidery.  It's almost like painting on a canvas and the results can be amazing.

Saturday, September 15, 2012

Beading Babes Project 6 - long version

Karyn chose an impressive four projects this time around.  I should warn you, with four projects (and my ramblings), this post will be rather long.  If you would rather see only the finished projects, check out this short and sweet post.

Our first project was Retro Daisies, designed by Janice Chatham, and published in the April 2012 issue of Bead and Button.


This is yet another project I wouldn't have started without our Beading Babes group.  The bracelet is very cute, but the combination of cross stitch and brick stitch around the components would have driven me away.

As much as I don't like making multiple components, the daisies worked up quickly and were easy to make in front of the television.  (My husband and I had been watching back episodes of Eureka when I made these.)

The base of the bracelet also worked up quickly.  I had to make the base a bit longer than called for in the pattern because I used size 15 seed beads instead of charlottes.  I whipped up an extra few flower components and I was in business.


I made the base long enough to overlap about a half inch and sewed on a snap.  I like the way the snap is hidden in the bracelet.


Our second project was the Ripple Effect Cuff, designed by Sherry Serafini, and published in the June 2011 issue of Beadwork Magazine.

I was really excited to try this because I had never tried bead embroidery before.  I started looking for a cabochon and found this awesome daisy by Tracee Dock, of The Classic Bead.  (You should really check out Tracee's etsy shop, by the way.  Her work is amazing.)


I cut out my bead backing, found my adhesive, closed my eyes for a minute, and dove in.  I really liked the embroidery flowed together and really set off the cabochon.

My version isn't exactly like Sherry's example.  My cabochon was a bit larger, so I used 8mm honey blue tiger eye discs as the center of my ripples.  The 15 seed beads were, of course, dwarfed by the discs, so I used 11s.


The bracelet ended up a bit bigger than the example.  I tried to compensate by using a different edging technique I found in Jamie Cloud Eakin's Dimensional Bead Embroidery.


I learned a great deal while finishing this bracelet--especially what *not* to do.  I cut the backing a bit short and wasn't able to secure it to the leather in a few places.  The edge beads are a bit too close in a few places (mostly where I started the edging).

I was happy to see that my technique improved as I went along.  If you look closely, you can see a difference between  early and later stitches in both the ripples and the edging.  If I hadn't invested so much time in this bracelet, I'd be tempted to redo it.  Instead, I'm just going to say that the early stitches add "character."  :)


I absolutely love Tracee's pendant and I *adore* the pearl bezel that Sherry designed.

We were all very excited to try a soutache project.  Karyn chose Soutastic Soutache Earrings, designed by Amee McNamara, and published in the June 2012 issue of Bead and Button.

I honestly thought I would be able to sit down and stitch these babies up in an hour.  It's an *earring* project!  As you might have guessed, that didn't really happen.  Soutache is another one of those things that takes practice and patience.

The initial sewing wasn't too bad, but I couldn't figure out how to do the edging and make it look, well, "finished" to my eye.  I put the earrings down for a while and only picked them back up a few days before the deadline.  I re-read the instructions and plunged in.


I have no idea why it took me so long to finish these.  The edging went quickly and looked beautiful.



The earrings were not my style, so I linked them together and added some chain .. instant bracelet.

Our last project was Josephine's Collar, designed by Jill Devon and published in the June 2012 issue of Beadwork Magazine.


This was probably my favorite project in this round.  Bead weaving is my first love and while I enjoyed soutache and embroidery, I was happy to start on the beaded squares and circles in this necklace.



I wish I could say the project went without a hitch, but, like most of my projects, I encountered a slight problem.  The pendant took me a few tries because the bezel was a bit different.  Two sides build up from the same row on the base.  This may not sound like an issue, but it was terribly hard to get my needle through the right beads.  I ended up modifying the order of the rounds to make it work for me.


That said, the rest of the necklace was glitch free.

I really liked adding the ribbon to the beaded components.  The small ring of beads around the ribbon is a genius idea.


I love this necklace.  It really is a show stopper.  I find myself reasoning that it *totally* works with jeans and a t-shirt just so I can wear it from time to time.


I could also envision a simpler version with only a pendant and the silk.  (Actually, I found a smaller helios pendant and will be trying a simpler version soon -- stay tuned.)

If you would like to see even more versions of these projects, please check out Karyn's blog, Releases by Rufydoof for a full list of participants.

Karyn, thank you again for putting this together.  The projects were so much fun and I had a blast trying some new techniques.

Beading Babes Project 6 - short version

Karyn chose an impressive four projects this time around.  Since I have several projects to show you (and you know how wordy I can get), I will keep this post short and move my ramblings and extra pictures to this post.

Our first project was Retro Daisies, designed by Janice Chatham, and published in the April 2012 issue of Bead and Button.


Our second project was the Ripple Effect Cuff, designed by Sherry Serafini, and published in the June 2011 issue of Beadwork Magazine.  I didn't follow the pattern exactly on this one.  I used bigger beads on the ripples and used a different edging technique.


We were all very excited to try a soutache project.  Karyn chose Soutastic Soutache Earrings, designed by Amee McNamara, and published in the June 2012 issue of Bead and Button for our third project.

I finished the earrings, but wasn't sure if I would wear them.  Instead, I linked them together and turned them into a bracelet.


Our last project was Josephine's Collar, designed by Jill Devon and published in the June 2012 issue of Beadwork Magazine.


If you would like to read more about my beading process and see more pictures, check out the longer version of this post here.

If you would like to see even more versions of these projects, please check out Karyn's blog, Releases by Rufydoof for a full list of participants.

Karyn, thank you again for putting this together.  The projects were so much fun and I had a blast trying some new techniques.